Now that Vox has fixed whatever bug it has and I can write again, I can tell you about the following find on Google, which Janette mentioned on her blog.
On the one hand, I am glad Google has been transparent about this and told us that it has noted down our advertising preferences. There are countless other companies that track us through their cookies and have not been honest enough to tell us about them.
On the other hand, it is disturbing what is being tracked about us online by Google and other companies.
Mine are not accurate. You would expect that my interest in cars would be noted, but no. Here are the categories Google has associated with me, which are so off you wonder just how bad its technology is:
Arts & Humanities
Computers & Electronics - Programming
Computers & Electronics - Software
Computers & Electronics - Software - Audio & Multimedia
Computers & Electronics - Software - ... - Internet Clients & Browsers
Entertainment - Celebrities
Entertainment - Multimedia Content - Flash Content
Entertainment - Multimedia Content - Video Clips & Movie Downloads
Internet - Online Goodies - MySpace Codes & Graphics
Photo & Video - Photo & Video Sharing
Social Networks & Online Communities - Blogging Resources & Services
I admit I have checked for some celebrity news. One in eleven strikes me as an extremely poor understanding of my preferences. I am not a programmer, have little interest in software, certainly do not want multimedia content about entertainment, use MySpace four times a year, and only share my videos and photos with you here on Vox (though I do look at the Lucire videos from time to time). While I blog, I doubt I need to be advertised to since I am already set in my ways; and I do not recall seeing any ad for blogging resources lately.
When I started removing the above, Google added some extra categories, including something to do with punk music and another to do with news from Korea! Very lame.
I already think Google’s Adsense programme to be one of the worst I have ever encountered in what is a very mature industry in the US. I have no idea why it is so well regarded or why people speak so highly of it; it is the antithesis of Amazon.com, for instance, which has become a bit of standard when it comes to online shopping.
I imagine Google Adsense is the online advertising equivalent of Microsoft Word: no one knows any better, so they assume that things are not that bad.
I have since opted out of these Google cookies, as it seems Google will not serve relevant advertising in any case.
Now that Vox seems to be letting me in within minutes rather than hours, my mind turned to cheesy 1980s’ mini-series. Remember when this was cool?
One YouTuber has put up clips from the mini-series and I was surprised at how slowly things dragged on, even with a 10-minute selection. We’ve obviously become accustomed to the action in the big-screen blockbusters.
Before Matt Damon was Jason Bourne, Dr Kildare was Jason Bourne. This also dragged on—the difference being I remembered it being slow at the time (1988) and thinking it only needed to be two hours. Evidently some movie executive thought the same in the 2000s with the Doug Liman version.
However, for Ludlum purists, the mini-series was more faithful to the book and even has a few scenes that creep up in the second movie.
Old Doc Kildare was looking pretty worn by 1988, though Jaclyn Smith still looked amazing (and in 2009, as a 60-something, she still does). There were some good action sequences, but they were few and far between. However, as with If Tomorrow Comes, some European filming gave the mini-series a bit of polish that was absent from the hourly TV shows on back then.
Here’s how it started (similarly to the Matt Damon one):
Wow. Six minutes to load the compose screen. That’s definitely this week’s record.
This is the other photo I wanted to show:
He says he has a friend with a Cobra Jet 428, which we both thought was the best of this series, and that this shape was probably the nicest before Bunkie Knudsen’s fat Mustangs hit the streets for the 1971 model year. Sometimes I like the ’68s, and the ’65s, but right now, the ’69s seem to appeal to my taste in 2009.
“Only” took 20 minutes for this screen to come up this time. In a day and age when we should wait no more than 20 seconds. Still, I’m sure Vox believes I should be happy because 20 minutes is less than 16 hours. ‘Yay!’ they must think, ‘our load times have come down from hours to minutes!’
I know, no one likes the pissy tone I take when I begin these posts, but it’s so darned frustrating when technology does not work as advertised. And no one seems to think there’s anything wrong: I’ve heard from neither my ISP nor Vox on this bug.
That’s not totally true. I haven’t heard anything recently. TelstraClear says there is nothing wrong and it can reach vox.com. Duh. I know that. So can I. I just can’t do anything while I’m there except make comments (hence I am using one post’s comment space to blog at—this is how ridiculous it has become—and to keep track of how often Vox’s massive bug is keeping me from doing what it says on the tin). I can’t compose, add photos, add videos, etc. Except once every long while when it opts to let me have a screen to write in.
And Daisy, who seems to be the only person working at Six Apart who cares, has written to me as well. But I’ve heard nothing for a few days.
Remember how long the Amazon conduit took to get fixed here? Considering this “can’t do stuff on Vox” bug has been around since August, and has gotten worse by the week, I’d rather sacrifice the Amazon conduit in favour of, well, being able to blog.
Readers, I’m sorry you’ll have to put up with hugely long posts because I have no guarantee on when Vox will let me compose again.
Ben Kingsley
Here’s one thing I wanted to blog during one of the many, many blackouts on Vox.
More scenery shots
These would have warranted individual posts, but that’s not going to happen.
Remember when masonry was a real art, done by people and not a computer? This was beautiful work at one of our government buildings, where I was meeting a friend.
At last night’s launch of the Chinese New Year Festival, painter Stan Chan created a work live while Natalie Foy (niece of comedian Raybon Kan) sang a traditional song. As I remarked to the Mayor, the last time I saw something like that was Rolf Harris on the UK version of The Generation Game in the 1970s. A bit far away on the photo here: Then, we wondered, what was an ambulance doing outside some restaurants on Blair Street? Was the curry that explosive at one of these joints? (Monsoon Poon is owned by a friend of mine and does some wonderful cuisine, incidentally.) Or, did one of the Mac operators at the recruitment agency collapse of exhaustion? There were more tourists last night in Wellington than normal, which is lovely to see. Here are some examining the bucket fountain (part of most Wellingtonians’ childhoods; it was infamously desecrated when Elijah Wood urinated in it when he was here filming The Lord of the Rings). Darned Hollywood types.
Open Source Android mobile phone application development:
- developer.android.com
- developer.android.com/guide/developing/tools/emulator.html
- source.android.com/download
- source.android.com/download/using-repo
or if you'd prefer one platform for developing both iPhone and Android apps then you could try the
which shares common APIs across devices and provides extensibility for each device’s unique capabilities.
Discography
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official ♥ myspace
People have been asking if I've been hitting the Sauce, so I know this venue on the busy intersection of Lyndale & Lake is getting huge buzz love. I may have to postpone my attendance because I have two flat tires (those reading my twitters will already know this).
So tonight, The Mood Swings will be at the Sauce, at their CD-releasing party. As with previous Susstones showmania, they are cheap ($5, man!) and features a ton of bands (Two Harbors, First Communion Afterparty, and Blue Sky Blackout are also playing). Between bands, Marc the Guv is handling the DJ spins. Anyway, more bang for your buck seems to be Susstones' motto.
Before you go, some things you should know:
- Ashley Ackerson is the primary headperson is married to their now-new-bassist Ed Ackerson (see Polara)
- This is their third album, Recessionista, which came out last Tuesday on Susstones Records.
- The Current (a Minnesota Public Radio station) has sponsered this event
THOSE DARLINS
official ♥ myspace
Earlier this year, Those Darlins rolled through town. It was one of their favorite show, loads of people showed up. Heavy drinking were involved.
I will be covering their show next Sunday, post-Thanksgivings and post-Black Friday, it looks like it's going to be a great time. Very interested in checking out King Khan (I like their name).
The rest of their tour dates:
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FRI 11/20 PORTLAND, OR Dante's
SAT 11/21 SEATTLE, WA Chop Suey
MON 11/23 VANCOUVER, BC The Red Room
WED 11/25 CALGARY, AB Warehouse
THUR 11/26 EDMONTON, AB Pawn Shop
FRI 11/27 SASKATOON, SK Amigos
SAT 11/28 WINNIPEG, MB Royal Albert
SUN 11/29 MINNEAPOLIS, MN Triple Rock
TUE 12/1 MILWAUKE, WI Mad Planet
WED 12/2 CHICAGO, IL Logan Square
THUR 12/3 CINCINNATI, OH Northside Tavern
official ♥ myspace
Brazilian Bebel Gilberto is touring the US, starting in Washington on November 23rd. Her latest album is called All in One and I just read is mostly in Portuguese.
We've previously mentioned her with her "jazz" standard, covering Night and Day - but you may know her as the daughter of João Gilberto, who, along with then-wife Astrud Gilberto, made "The Girl From Ipanema" a world-wide hit (and ultimately made bossa nova music famous).
I am keeping my eye on December 3rd for her appearance at the Dakota Jazz Club in downtown Minneapolis.
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BEBEL GILBERTO ON TOUR
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Nov 23 - Washington, D.C. - 9:30 Club
Nov 25 - New York, NY - Hiro Ballrooom
Nov 27 - Boston - Paradise Rock Club
Nov 28 - Montclair, NJ - Wellmont Theatre
Nov 29 - Montreal - L'Astral
Nov 30 - Toronto - Sound Academy
Dec 2 - Chicago - Park West
Dec 3 - Minneapolis - Dakota Jazz Club
Dec 5 - Denver - Ogden Theatre
Dec 8 - Solana Beach - Belly Up Tavern
Dec 9 - Los Angeles - Henry Fonda Theatre
Dec 10 - San Francisco - Bimbo's
11/20/2009 09:31:54 ♥ vu (
) ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com
I have just found some mobile augmented reality apps for Android and iPhone mobiles.
which are based on the
augmented reality API's !
IBM suggest you can put a tiny cloud in your Android handset and experience the usefulness of a local Web server!
http://www.ibm.com/developerworks/opensource/library/os-tinycloud/index.html
SkillsMatter are sponsoring both DroidCamp and DroidConf on 1 Dec 09 and 2 Dec 09 !
DroidCamp
MON
http://www.meetup.com/android/calendar/11842399/
http://barcamp.org/droidcon
DroidConf
TUE
http://www.meetup.com/android/calendar/11842399/
http://www.droidcon.co.uk/
See you there ! or if you cant make it why not join the Londroid monthly meeting group
http://www.meetup.com/android/ or the worldwide NING BMN Group http://droidcon.ning.com/
THE PRISONER
amctv.com/originals/the-prisoner
I love the original series. Although it got a bit LSD-y towards the end with #1 and there were way too many #2 to keep track of. Still, the #6, played by Patrick McGoohan, maintained his sanity and desire to escape from The Village.
AMC Television remade the show into a six-episode miniseries, which aired November 15th to 17th, tries to capture the weirdness of the original, yet updating it to a whole new audience.
I will start with what I dislike about the new series: the new village is massive (like at time it feels as if it's the size of Minneapolis), the iconic "Columbia" style bicycle is missing, and the Village's icon looks a bit like giving you the middle finger. Ian McKellen, who plays #2, is given too much screen time. To me, #6, played by James Caviezel, is your main focus.
What I like about the new series: people in the village does not remember the world outside and everything from cars and architecture has a weird style to them.
So far, I've only watched the first three episode, and the introduction of #6 to an old man #93, and the Village was handled very well. The "brother" of #6, not so much. Should be interesting to see how the mini-series ends. Until then, be seeing you.
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myspace.com/musicfromglee ♥ fox.com/glee
I did try to get into the Fox series Glee with the pilot, mostly because I thought the show would appeal to me. Think about it: outcasts, geeks, and nerds singing well-known cover songs.
My main complaint is the "reality" documentary style that's popular with modern comedies like The Office and Parks and Recreation. Despite losing me as a viewer, Glee certainly have their fans. Everyone I know that watches Glee tells me that I'm missing such a great show.
As a cover lover, I accepted to review Glee: The Music, Volume 1 simply based on their cover of Journey's "Don't Stop Believin'" (see also Covering Journey).
I thought all of the 80 power ballads songs works really well, but the more softer solo songs doesn't interest me. I also dug when the song is "reimagined". For instance, Queen's "Somebody To Love" is transformed into a cheery gospel song.
While I do not mind the random pop and R&B songs, they seem to be lumped together in blocks. The block of Kanye West ("Gold Digger), Rihanna ("Take A Bow"), Jazmine ("Bust Your Windows"), and Celine Dion ("Taking Chances") was almost unbearable.
Choice in cover songs goes back to The Supremes ("You Keep Me Hangin' On") to solid 80s hits. I do like the 80s songs, I will have to admit. The best covers are REO Speedwagon's "Can't Fight This Feeling", Heart's "Alone", and Young MC's "Bust A Move".
I feel, as much as some of these covers are pretty awesome, that they remain too faithful to the original songs in certain cases. I also feel that you may have an added value if you have seen the show and may enjoy the songs even more as a result.
Glee: The Music, Volume 1 is available now from Columbia Records. Fans, keep an eye out for Volume 2, out in early December. I was privy to "Lean On Me", which I did enjoy many vocals on it. It made the song sounds bigger than the original. Anyway, can't wait to hear Lily Allen's "Smile".
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abc.go.com/shows/v
I grew up watching the original V. I loved it when I was a child, but re-visiting the show with a recent purchase of $10 for the complete series, I'll have to say that the show does not age well. It's cheesy by today's standards.
When I heard that they were remaking V, I was, of course, interested. I saw the teaser on Hulu, and have steadily watched the first three episodes. I'm hooked.
I like the idea that the visitors were here before they arrived in the sky - so that anyone around you could be a visitor. I also like the idea that the main character is now a woman (she's from Lost), and I suspect their base of operation is now in a church. However, there are some things that I think they could've handled better... like pacing. The reveal of a green person on the very first episode or that one of the main character was a visitor - well that could've been saved until later for that shock moment midway into the series...
Post-9/11, the new series takes on a different meaning from the original series. So far, I'm enjoying it.
11/20/2009 00:04:12 ♥ vu (
) ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com



